Recorded between 1951-1954, this mono cycle is a prize tip to celebrate the Beethoven year. Nothing in this reissued set sounds like 1950s –Hermann Scherchen’s approach to Beethoven is captivating, almost contemporary. As his producer, Kurt List, pointed out: “With Scherchen the result is never boring, nor does it leave you indifferent.” Scherchen’s interpretation is still breathtaking, demonstrating his personal principle: Music does not have to be understood. It has to be listened to.