From the internationally acclaimed author of Blankets (“A triumph for the genre.”—Library Journal), a highly anticipated new graphic novel.
Sprawling across an epic landscape of deserts, harems, and modern industrial clutter, Habibi
tells the tale of Dodola and Zam, refugee child slaves bound to each other by chance, by circumstance, and by the love that grows between them. We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world (not unlike our own) fueled by fear, lust, and greed; and as they discover the extraordinary depth—and frailty—of their connection.
At once contemporary and timeless, Habibi
gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.
“The character depth, plot complexity, and storytelling in this lyrical, sexual, and scholarly epic would make any novelist proud…Thompson strings compositions that are often more tapestry than comics and that balance graphic design, illumination, calligraphy, and cartooning in steady alignment. It is unfair to expect two masterpieces in a row from anyone, but here Thompson sits securely in that rarefied air.” –Booklist, starred review
“A lushly epic love story that's both inspiring and heartbreaking…In addition to richly detailed story panels, the gorgeous Arabic ornamental calligraphy makes each page an individual work of art. A dense, swirling dervish of a tale…this will be the most talked about graphic novel of the fall.” –Publishers Weekly, starred review
“The exquisite beauty and deep magic of this Arabian Nights-style love story cannot be overstated...Habibi is certain to join the ranks of graphic novels that expand our understanding of not only the genre but also the world it describes.” –Library Journal, starred review
“Habibi lifts the bar of graphic storytelling to new heights, both by the intricate, dramatic density and breathtaking scholarship of Thompson’s panels and by the sheer scale and decorative beauty of his flowing, roiling, protean style. Thompson is the Charles Dickens of the genre, able to capture all the scary, heartbreaking, brave, uplifting details of his characters’ fates while orchestrating the big-picture machinations that connect them to the lives and times of his readers…Habibi is a masterpiece that surely is one of a kind.” –Elle Magazine
“A graphic novel that is sure to attract attention…A mature—in all its meanings—glimpse into a world few Westerners are at home with, and Thompson is respectful throughout.” -Kirkus
“Exquisite…HABIBI is a remarkable feat of research, care, and black ink, and a reminder that all ""People of the book,"" despite the division of their individual traditions, share a mosaic of stories.” –Zadie Smith, Harper’s Magazine
“Habibi has classic written all over it. It’s a modern literary triumph, a book so broad and magical in its scope, only a master could pull it off. This is no ordinary comic, it is a complete work of art. Beautiful, thought provoking, both timeless and of its time…An awe-inspiring read you can’t afford to miss” –Grovel, graphic novel reviews
“Easily the best graphic novel of the year, and probably the decade…Thompson’s line work here is beyond brilliant, combining myriad styles and capturing the rich historical legacy of the cultural and religious volumes that inspired it. This is a work that truly changes the game and sets a new standard for all the graphic novels that follow it.” –GraphicNovelReporter.com
""Craig Thompson's new graphic novel, Habibi, is a masterpiece. This isn't an opinion. This book is a gorgeous object; to make it, Thompson apparently covered himself in honey and rolled around in a thousand years of Arabic calligraphy and Islamic art, and the result is breathtaking.” -The Boston Phoenix
“Erotic, grotesque, and profoundly moving…I don’t think I’ve ever read a book quite like this, and I expect I’ll be thinking about it for a long, long time.” –Boing Boing
“Layered, daring, and brilliantly told—an intricate story of love, religion, desire, survival, poverty, hope. It’s drenched in metaphor and rich with double meanings. Yet for all it takes on, Habibi feels light on its feet; throughout, we feel Thompson reveling in his skills as a writer and artist. Its exuberance, even in its darkest moments, feels somehow celebratory. I’m not sure that I’ve read a better graphic novel…Thompson’s own work is manically elaborate and ingeniously laid out; he’s become expert at moving the eye through exploding, dexterous panels.” –The Millions
“Mere words—or at least my mere words—seemed not enough to even try to convey just how intricate and ornate, lush and seductive, arabesque and sometimes knowingly grotesque this artistic epic is…a visual masterpiece.” –Comic Riffs, Washington Post blog
“Like the elegantly dense mosaic patterns that Thompson fills the background of his pages with, Habibi is a book that weaves isolated shapes into an overpowering tableaux, its pieces carefully fit together and subtly repeated until a gorgeous unity emerges.” –National Post
“Relentlessly virtuosic... It is a tribute to Thompson's skill as a cartoonist that the transition from an old fashioned Orient to modern Babylon leaves few visual seams."" –New York Times Book Review
“While the storytelling is gripping, surprising, and emotionally and intellectually hard-hitting, it almost takes a back seat to the artwork that is alternately robust and fragile. Thompson's deft, assured lines have never been more delicately and profoundly inked than here…This book is a monument of intelligent, vibrant design, all in service to the story.” –Barnes and Noble review
“Brilliantly imagined…celebrates the power of the artist to tell a story with ink teased into magisterial letters and visual images.” –Newsweek
“Thompson makes a good third of the other illustrators out there look like total chumps. Each page is carefully designed with recurring motifs–that draw from sources like the Qur’an and other storytelling traditions–to add multiple layers of meaning to every moment. Scenes of city life and vast endless oceans of sand are drawn with such attention to detail that you’ll be staggered imagining a human being crafting the images with human hands and commonly available tools…It’s a story told with technical precision and real, honest-to-gosh passion, and if you cry at the end it won’t be because you’ve been successfully manipulated–it’ll be because this world and these characters have come to mean something to you, and you’ll miss them once you reach the final page.” –Richmond News
“If you haven’t been exposed to the work of Craig Thompson yet, you have been deprived of a true aesthetic experience…To say the work is visually stunning is an un