Julian “Cannonball” Adderley first gained notice as the bluesier saxophone voice on Miles Davis’ Kind of Blue (John Coltrane being the other), and in the late ‘60s and early ’70s, he was engaged in an ongoing artistic conversation with Miles, often trading musicians with him and taking the electric innovations of Bitches Brew and filtering them with through his own earthy sensibility. The height of Cannonball’s fusion phase arguably came in 1970, a year that yielded no less than three live albums—all produced by David Axelrod—that have since ascended to cult favorite status. We at Real Gone have already issued one of them, the double-album Black Messiah; now, we’re back with the CD debut of his double-album The Price You Got to Pay to Be Free. Drawn from a performance at the 1970 Monterey Jazz Festival and “live in the studio” tracks cut at Capitol, Price was a testament to Cannonball Adderley’s sprawling artistic vision, embracing abstract improvisation, funky soul-jazz, hard bop, and world music. It also offered the lone lead vocal of the saxman’s entire career (on Milton Nascimento’s “Bridges”), and was the last Cannonball Adderley album to feature keyboardist Joe Zawinul, who contributes the key compositions “Directions,” “Painted Desert,” and “Rumplestiltskin.” The record went to #5 on the Billboard Jazz chart and #169 on the Top 200, quite a remarkable showing given the avant-garde stylings of such numbers as “Out and In” and “Alto Sex,” although the album also did include such trademark populist Cannonball fare as “Down in Black Bottom” and “Get Up off Your Knees.” Features liner notes by Bill Kopp that include quotes from Cannonball’s drummer at the time, Roy McCurdy, and remastering by Mike Milchner at SonicVision!