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Music  >>  CDs  >>  Classical Artists

Nico Muhly

Two Boys

Nico Muhly Two Boys
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Nonesuch releases Nico Muhly’s opera Two Boys—recorded live during the Metropolitan Opera’s 2013

production with conductor David Robertson and director Bartlett Sher—on September 30, 2014. The two-act opera, which features a libretto by award-winning playwright Craig Lucas, is loosely based on true events and follows a lonely detective whose investigation of a seemingly simple crime draws her into a complex web of online intrigue. Alice Coote sings the role of Detective Inspector Anne Strawson and Paul Appleby sings Brian, the 16-year-old boy at the center of her investigations. The cast also features Jennifer Zetlan as Rebecca, Caitlin Lynch as Cynthia, Sandra Piques Eddy as Fiona, Judith Forst as Anne’s Mum, Christopher Bolduc as Jake, and Keith Miller as Peter.

 

Vermont-born Muhly, 32, is the youngest composer ever commissioned by the Met, and Two Boys is his first

large-scale opera. The New Yorker praised Two Boys as a “bighearted, fearless work,” noting that “Muhly handles this lurid story with thoughtfulness and compassion: plaintive chorales and brooding ostinatos suggest the sadness and the loneliness lurking within the electronic global village.”

 

Two Boys, set in an English industrial city in 2001, combines two story elements rarely seen on the operatic stage: a police procedural and a dramatization of the mysterious and lonely lives of those who inhabit the dark corners of the Internet. “What was so exciting for me about this story, and what was so poignant is that we don’t live in a place where there are masked balls, really, anymore,” Muhly says of his inspiration for the opera. “So I thought the Internet—where you can really pretend to be another person—would actually be quite a traditional frame for an opera. I’d like to think Two Boys is both new and also very, very old.

 

"The choral music in Two Boys references the ecstatic vocal music of Meredith Monk and Steve Reich—the sense of overlapping vocal patterns creating a larger architecture of meaning,” Muhly continues. “It’s almost as if you’re hearing the entire aggregate of all the things that people are saying on the Internet at once.”

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